If Heimlich was originally intended as a project dedicated to intimacy, the familiarity of domestic spaces, in its third incarnation it is transformed into Unheimlich, or the uncanny, and takes up as its subject a house which, however, appears extraneous, which unsettles, stripped of what would allow it to be perceived as one's own. 

It shows itself naked, leaving only a few objects the function of distant echoes of a now lost familiarity, sterile testimonies belonging to another time.. or space.